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sign and electric lighting contrast with the twilight sky and dense pine forest in the background
The painting is a significant example of Rückenfigur (a rear-facing figure that is not the primary subject)
1 (1862) by James McNeill Whistler
Monet found inspiration around his home in Argenteuil with many bright landscapes which enabled him to explore plein-air painting
and holding a palette bearing the names of his two wives "Clémence et Josephine
Ascent of the Blessed ☰ Bosch ☰ Canvas woodblock sign and electric lighting contrastVisions of the Hereafter (1515) by Hieronymus Bosch is a polyptych consisting of two panels depicting religious scenes about sin and judgment. At the Galleria dell'accademia in Venice the panels are ordered, left to right, Fall of the Damned, Hell, Terrestrial Paradise, and Ascent of the Blessed. These visions may have been inspired the 12th century story Vision of Tnugdalus which recounts the odyssey of a knight's soul, or Dante's Divine Comedy,
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